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ImagePrint 6 Notes
Thursday September 2, 2004
by Mitch Alland

I am pleased to see that the new ImagePrint manual for v6 is a great improvement over earlier versions and is, in fact, excellent. The extensive Troubleshooting Guide section is a good addition. Also, as program installation has been simplified, I believe that most questions on IP problems that come up on online forums can now be answered by suggesting, in the best Unix tradition, that the user "look it up in the manual...." These notes are based on ImagePrint 6 build 1.08. If you are using a later build some of the issues and glitches discussed below may have been fixed, as ColorByte is aware of all of them.

Weekly Chatter:Canon i9900 Profile
Monday August 30, 2004
by Imaging Revue Experts and Staff

Each and every week, Imaging Revue offers non-members a tantalizing taste of the information available in our forums. Make sure to check out the entire list.

ImagePrint 5.6 Notes
Saturday August 28, 2004
by Mitch Alland

"Based on my experience in setting up the Mac OSX version of ImagePrint, Iíve compiled these notes in the hope that they will be helpful to new users of both the Mac and Windows versions of the software. "

Weekly Chatter:What does increased bit depth and better color actually give to the end result as printed?
Tuesday August 24, 2004
by Imaging Revue Experts and Staff

Each and every week, Imaging Revue offers non-members a tantalizing taste of the information available in our forums. Make sure to check out the entire list.

(R)Evolution II: Color - A New Zone System?
Thursday August 19, 2004
by John Paul Caponigro

Call it revolutionary or evolutionary, the digital advances made in color photography are nothing short of amazing. In photography, we now have independent control of color?s three primary qualities: hue, or the spectrum of colors around the color wheel (red through yellow, green, blue, cyan, magenta and back to red); saturation, the gradient from intense to dull; and brightness, the gradient from dark to light.

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Color Management/WorkFlow > Workflow > sRGB versus Adobe RGB

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AuthorSubject: sRGB versus Adobe RGB   [Go to Bottom of Page]
James Bergstrom
Posted on Sun Jun 8, 2003 9:45 AM

I am primarily interested in developing a workflow for outputing images to my Epson 2200, along with Fuji Frontier and Lightjet Lab printers.

What is a better choice for color space selection at the camera and photoshop.

For those cameras that can only produce sRGB files do I run a risk of color shifts if I use Adobe RGB as my photoshop workspace and convert from the camera workspace to Adobe in Photoshop.

I understand that Adobe RGB is a wider gamut but under what conditions will I be able to use this extra gamut and see the results in the final output.

I have just ordered the ImagePrint RIP for the 2200.

My local lab has told me sRGB is all that is needed. Are they correct or should I be trying another lab.

Does you answer change if I am using drum scanned slides as input to the workflow.

West Coast imaging for instance scans into Ekta Space.

Jim Bergstrom
Flower Mound Texas






... this thread contains expert advice from Andrew Rodney and Bruce Fraser.




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