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ImagePrint 6 Notes
Thursday September 2, 2004
by Mitch Alland

I am pleased to see that the new ImagePrint manual for v6 is a great improvement over earlier versions and is, in fact, excellent. The extensive Troubleshooting Guide section is a good addition. Also, as program installation has been simplified, I believe that most questions on IP problems that come up on online forums can now be answered by suggesting, in the best Unix tradition, that the user "look it up in the manual...." These notes are based on ImagePrint 6 build 1.08. If you are using a later build some of the issues and glitches discussed below may have been fixed, as ColorByte is aware of all of them.

Weekly Chatter:Canon i9900 Profile
Monday August 30, 2004
by Imaging Revue Experts and Staff

Each and every week, Imaging Revue offers non-members a tantalizing taste of the information available in our forums. Make sure to check out the entire list.

ImagePrint 5.6 Notes
Saturday August 28, 2004
by Mitch Alland

"Based on my experience in setting up the Mac OSX version of ImagePrint, Iíve compiled these notes in the hope that they will be helpful to new users of both the Mac and Windows versions of the software. "

Weekly Chatter:What does increased bit depth and better color actually give to the end result as printed?
Tuesday August 24, 2004
by Imaging Revue Experts and Staff

Each and every week, Imaging Revue offers non-members a tantalizing taste of the information available in our forums. Make sure to check out the entire list.

(R)Evolution II: Color - A New Zone System?
Thursday August 19, 2004
by John Paul Caponigro

Call it revolutionary or evolutionary, the digital advances made in color photography are nothing short of amazing. In photography, we now have independent control of color?s three primary qualities: hue, or the spectrum of colors around the color wheel (red through yellow, green, blue, cyan, magenta and back to red); saturation, the gradient from intense to dull; and brightness, the gradient from dark to light.

...see more articles(many more!)

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Color Management/WorkFlow > Workflow > Out-Of-Gamut selections

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AuthorSubject: Out-Of-Gamut selections   [Go to Bottom of Page]
Herbert Gibson
Posted on Sun Jul 13, 2003 1:24 PM

We are advised to softproof in Photoshop, view out-of-gamut colors and tweak them (darken, de-sat) to bring them into gamut. OK.

So we pick our Imageprint (col) profile for custom view proof and then View / Gamut Warning. Works great.

However, if we now use Select / Color Range / Out of Gamut the same range is not selected. It looks as if PS is now selecting based on the CMYK selection in Color Settings.

How can we select out-of-gamut pixels as defined by the specific profile?



... this thread contains expert advice from Katrin Eismann and Bruce Fraser.




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