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Realworld Photoshop CS: Chapter 14
Monday February 16, 2004
by Bruce Fraser

Imaging Revue presents a sneak peak at this unreleased book with Chapter 14 in it's entirety. Enjoy "Building a Digital Workflow: Making Quick Work of Raw Images."

Digital Workflow for RAW Processing: Part II - Camera RAW
Monday February 9, 2004
by Jeff Schewe

The second in a five part series, Jeff demonstrates improved navigation through Camera Raw.

Digital Workflow for RAW Processing: Part I - File Browser
Friday January 30, 2004
by Jeff Schewe

The first in a five part series, Jeff Schewe demonstrates time saving techniques without compromising quality.

Proper Lighting Conditions


Thursday December 18, 2003
by GTI Graphic Technology, inc.

A lot of discussion on proper lighting and environmental conditions in the digital darkroom have been discussed. Here is a PDF from GTI, the makers of excellent light boxes. It does provide some information from the ISO 3664:2000 standard.

Weekly Chatter:Need for Correct Exposure in RAW
Wednesday November 26, 2003
by weekly chatter

Each and every week, Imaging Revue offers non-members a tantalizing taste of the information available within our forums. Make sure to check out the entire list!

...see more articles(many more!)

forums

Color Management/WorkFlow > Hardware and Software > Pantone Color Cue

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AuthorSubject: Pantone Color Cue   [Go to Bottom of Page]
Jeff Smith
Posted on Thu Jul 17, 2003 5:02 PM

Anyone out there have any experience with the Pantone Color Cue. I know it's been out for a while, and I suspect most of its limitations, but I'm wondering if it can help us with a recurring problem: matching color in our digital captures to actual leather color samples.

We shoot a lot of athletic shoes and aparrel for one particular client. For their big buyer's books all conversions and color work/retouching is handled by a great color house we partner with.

Twice a year, the customer asks us to produce a small, limited run book with low-end product that they're not quite so color critical on. (ever known a really critical client that could turn it off for one or two projects a year - I've never seen one). The product typically is much more colorful, with a range of subtle color variations that is pretty astounding.

I was hoping that, for a minimal investment, the color cue could give us a close reference to judge our in-house conversions by, and get us a little closer on the first proofs.

Can anyone help?


... this thread contains expert advice from Bruce Fraser.




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Upcoming Events


MAKE YOUR WORKflow (A D-65 event - led by IR expert Seth Resnick)
    2/22/04 at 9:00 AM to 2/28/04
Focus on Imaging
    2/22/04 at 9:00 AM to 2/25/04
The Fine Digital Print
    2/23/04 at 9:00 AM to 2/27/04
Photoshop World Conference and Expo
    3/1/04 at 12:00 AM to 3/3/04
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