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Working with Pressure Sensitive Tablets
Monday May 3, 2004
by Katrin Eismann

Katrin Eismann outlines the use of pressure sensitive tablets in image processing.

Book Review: Mastering Digital Photography and Imaging(Updated)
Monday April 26, 2004
by IR Staff

IR Staff reviews Peter K. Burian's latest book, "Mastering Digital Photography and Imaging."

Digital Workflow for RAW Processing: Part IV - Batch
Thursday April 1, 2004
by Jeff Schewe

The fourth in a five part series, Jeff demonstrates the application of settings from one image to a series of images within Photoshop.

PDF Presentations
Thursday March 11, 2004
by John Paul Caponigro

John Paul Caponigro discusses an under-used feature of Photoshop. Allowing you to use the automate function to create universally viewable PDF slideshows!

Black and White Conversion
Monday March 8, 2004
by John Paul Caponigro

A outline of Black and White conversions as well as a free Photoshop Action.

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Software > Inside Photoshop > Compositing Multiple Exposures in Photoshop

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AuthorSubject: Compositing Multiple Exposures in Photoshop   [Go to Bottom of Page]
Howard Cubell
Posted on Tue Oct 7, 2003 9:22 PM

I made a photograph of a landscape from Peacham, Vermont last fall at twilight as the full moon was rising above the horizon. The full moon was four or five stops brighter than the exposure for the overall scene, so I also took several exposures of the moon that were between three and five stops faster so that I would get a shot of the moon that would be well exposed(and not blurred from the movement of the moon in the sky). What is the most effective way to composite the "good" moon into the base image? Would you put the "good" moon on top of the base exposure and create a layer mask for the moon image? Or would you put the base exposure on top of the "good" moon and create a layer mask for the "bad" moon in the base exposure? More critically, what technique should be used to make the "good" moon look natural and not like an orange disc that was shot somewhere else and just dropped into the image? How do I get the "good" moon to blend natually into the scene?
Thanks.


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