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Photoshop CS Add Ons From Al Ward.
Monday November 15, 2004
by Al Ward

Al Ward has provided Imaging Revue with Phtoshop CS styles to download. These files are in a zip format and can be opened using both Stuffit and WinZip. For more information about Al please visit www.actionfx.com. Please stay tuned for a future discount for IR members to Al's site.

Profile FAQ And Instruction Manual
Sunday October 31, 2004
by IR Staff

We have compiled a new and up to date Profile FAQ. If you are ordering a printer profile, please make sure that you read the information contained here. Many of the questions you may have will be answered here. These articles are in PDF format.

Patching and Healing with Martin Evening.
Friday October 22, 2004
by Martin Evening

The third in a series of tutorials, Martin discusses the Healing Brush and Patch Tool. Martin's video tutorial accompanies this PDF and can be uncompressed using WinZip or the Stuffit expander. Published with permission of Focal Press Publishers, a division of Elsevier. Copyright 2004. For more information about this book and other Focal Press titles, please visit www.focalpress.com.

Nikon Scanning Workflow
Friday October 15, 2004
by Scott Martin

Scott Martin has deciphered Nikon's workflow technology and brings us this quick guide to achieving great scans. For more information on Scott and his work, please visit www.on-sight.com.

Image Adjustments with Martin Evening.
Friday October 8, 2004
by Martin Evening

The second in a series of tutorials, Martin discusses the Photo Filter and Color Temperature. Martin's video tutorial accompanies this PDF and can be uncompressed using WinZip or the Stuffit expander. Published with permission of Focal Press Publishers, a division of Elsevier. Copyright 2004. For more information about this book and other Focal Press titles, please visit www.focalpress.com.

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Software > Inside Photoshop > Event Workflow; Raw vs. JPEG

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AuthorSubject: Event Workflow; Raw vs. JPEG   [Go to Bottom of Page]
Alan Ackoff
Posted on Sun Feb 8, 2004 12:37 PM

There are numerous digital and hybrid workflow possibilities for event photographers. I would like to hear from others as to what works for them, and how it has impacted their businesses. Pros and cons.

For the sake of argument let's assume 300 - 500 decent images. Here are some possibilities I'm considering:

1. White balanace with warm cards and shoot highest quality JPEGS. Convert to Dry Creek Photo profile for a local digital minilab and have proofs machine printed.

2. Shoot raw with MacBeth color chart in frame for each lighting situation. Sort images by lighting and batch convert from raw. From here proceed as in one.

3. Proceed as in one or two, and then use an on-line event photography lab. FTP the files.

4. Shoot film then send to a lab for process and proofs. Scan film and print enlargements digitally.

As I'm trying to reclaim some personal time back from my business I am inclined towards one and four as less computer intensive.

Most clients seem to perceive film as more valuable and having a better look. I think maybe they are seeing the difference between German prime lenses and Japanese Zoom lenses. Darn youngsters have sharp eyes.

I may go back to shooting film for events. If it ain't broke don't fix it.

Anyone else?



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